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Trip over the same stone twice
Art is rooted in the reality of the time in which it is created. Reinterpreting emblematic works from the history of art and contrasting the concerns of the time with those of today provides different ways of appreciating what happens to us.
Déjeuner sur l'herbe
Paint markers and acrylic on paper, 70 x 100 cm, 2024
The bucolic scene of the "Déjeuner sur l'herbe" has been transformed into a desolate landfill. Mountains of debris rise to the horizon. The vibrant colors and apparent carefreeness of the characters contrast with the apocalyptic setting. The adaptability of human beings to any situation is undoubted and worthy of admiration. Tribute to Édouard Manet.
The bucolic scene of the "Déjeuner sur l'herbe" has been transformed into a desolate landfill. Mountains of debris rise to the horizon. The vibrant colors and apparent carefreeness of the characters contrast with the apocalyptic setting. The adaptability of human beings to any situation is undoubted and worthy of admiration. Tribute to Édouard Manet.
Medusa
Paint markers and acrylic, 100 x 70 cm, 2024
In addition to being an example of the double standards that apply towards women, Medusa translates the fear that their empowerment can arouse. By incorporating wires alongside the snakes, it highlights how technology can also be perceived as disturbing. Tribute to Caravaggio.
In addition to being an example of the double standards that apply towards women, Medusa translates the fear that their empowerment can arouse. By incorporating wires alongside the snakes, it highlights how technology can also be perceived as disturbing. Tribute to Caravaggio.
There are no famous people in the Mona Canal
Paint markers and acrylic on paper,
64 x 50.5 cm, 2022
The yola (a boat people) is an animal that feeds on people in the Dominican Republic and the deposited in Puerto Rico. The channel is a animal that sometimes feeds on yawls and their hopes.
64 x 50.5 cm, 2022
The yola (a boat people) is an animal that feeds on people in the Dominican Republic and the deposited in Puerto Rico. The channel is a animal that sometimes feeds on yawls and their hopes.
We are witches
Paint markers and acrylic on paper, 50.5 x 70.5 cm, 2022
Men have called women who deviate from their canons witches. They have been tortured, hanged and burned, but they are always reborn, they are there, in the fear of the free woman. Tribute to Botticelli.
Men have called women who deviate from their canons witches. They have been tortured, hanged and burned, but they are always reborn, they are there, in the fear of the free woman. Tribute to Botticelli.
Ni Una menos
Paint markers on paper, 100 x 70 cm, 2024
The day that art with these types of statements stops will be incredible because then that will mean that problems like femicides are no longer happening, that they have already been solved. Tribute to Delacroix.
The day that art with these types of statements stops will be incredible because then that will mean that problems like femicides are no longer happening, that they have already been solved. Tribute to Delacroix.
The Entertainment Society
Paint markers and acrylic on paper, 70 x 100 cm, 2024
Henri Matisse's "La Danse" needed a contemporary update. Earthly experience is marked by loneliness. No one accompanies us from the day we are born until our death. Experiences of pseudo communion with others that make us forget our intrinsic loneliness are deceptive. Enough of the social fabric, physical contact, emotional connection and other illusions. Let's embrace technology to be able to live selfishly without complexes or concealments, to have a personal soundtrack, a cold screen, our own digital illusion and a mind locked in the digital world tailored to each one. Tribute to Matisse.
Henri Matisse's "La Danse" needed a contemporary update. Earthly experience is marked by loneliness. No one accompanies us from the day we are born until our death. Experiences of pseudo communion with others that make us forget our intrinsic loneliness are deceptive. Enough of the social fabric, physical contact, emotional connection and other illusions. Let's embrace technology to be able to live selfishly without complexes or concealments, to have a personal soundtrack, a cold screen, our own digital illusion and a mind locked in the digital world tailored to each one. Tribute to Matisse.
The Raft of the Medusa
Paint markers on paper, 100 x 70 cm, 2024
Tribute to Hokusai and Géricault.
Tribute to Hokusai and Géricault.
©2024 by Coline Renard
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